With exceptional control over every aspect of her voice- including its dynamics, tone, timbre and phrasing- she wields it with freedom and an instinctive edge. Overall, LaBelle is an exceptionally adept technician who has honed her skills via decades of experience in the industry. This upper-register extends right up to E6, which is marked with a dramatic, rounded and potent sound. The rare ability to project a full-sounding belt, right up to the soprano C6 is an incredibly impressive feat, and LaBelle has consistently shown able to do so with apparent ease. Again displayed in her ‘Two Steps Away’ tribute, LaBelle shows an uncanny ability to flip straight up into high octave belts, all the whilst adopting an impressive technique that allows her to hold high notes with great ease.
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This area, including the belting range, is incredibly powerful, full and elastic. The head voice and upper range is where LaBelle displays her skills as a vocal behemoth. However due to LaBelle's excellent artistry she can alter the sound to best fit the material she is singing, for example on Oh People LaBelle displays a softer more nuanced edge to her voice in comparison to her Two Steps Away tribute where this section is more full, pronounced and direct. This part of the voice is entirely unique to LaBelle in that not only is the voice full and powerful enough to cut through an orchestra, but it is typically deeper and more fulsome when compared to other sopranos.
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In the mid-range LaBelle’s voice becomes somewhat fuller, more dynamic and takes on a notable and distinctive sound. As the voice ascends towards the mid-range it quickly thickens connecting the voice to the mid-range.
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However due to her impeccable technique the notes sound healthy and well placed, if not entirely full. The lower extremities (Bb2 – E3) can sound somewhat less projected in comparison to the upper range, with this area tending to sound dry and distended. Considering the natural power that lies behind LaBelle's instrument it shows the great skill, control and restraint she has as a singer. Here, LaBelle showcased her skill to fuse her own vocals with another's in a way that was both complimentary and sympathetic to her duetting partner's own voice. A notable pairings was that which occurred with Cyndi Lauper when they sang Time after Time. A skill which has served her well, even once a solo star, thanks to her fondness for duetting and collaborating with others. Having started her long-standing career in vocal groups such as ‘Patti LaBelle and the Bluebells’ and ‘LaBelle’, this singer has built an excellent level of musicality in regards to harmonizing.
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Vocal Pluses: LaBelle is distinctly known for her explosive, powerful and incredibly emotive voice. Vocal Range: 3 Octaves 3 notes and a semitone (Bb2-E6)